The New York Times’ Ben Kenigsberg discusses the series.īut the film is designed to be timeless. This year’s series focuses on Black cinema, and among the offerings is Haile Gerima’s Wilmington 10 - USA 10,000. The Museum of Modern Art in New York City is presenting its annual series on film restoration, "To Save and Project," through February 6. That kind of encapsulated the best of both worlds for me, where you had this exciting element of reality and of social issues that are relevant to everybody, but filtered through this more artistic lens. And then more formalists, I guess you could call them, like Nikolaus Geyrhalter. But at the same time I was also watching people like Frederick Wiseman, Herzog. When I was exploring the more experimental side it was people like Nathaniel Dorsky or Maya Deren. Jessica Kingdon, whose film Ascension is also on the Oscars Short List, talks to Film Independent’s Matt Warren about what inspired her to make the film, her experimental style, and her experience as a Film Independent Doc Lab Fellow. It’s trying to use an image or a message to get somebody to do something. It’s a fascinating avenue for representation, because almost coded by nature. Leyendecker, about how this early 20th Century illustrator, despite his then-closeted status, incorporated homoerotic themes into his work for The Saturday Evening Post and advertising agencies.īut even the fact that he came up with so many parts of advertising history-like the consumerist behaviors that he created around holidays, by putting them on the cover of The Saturday Evening Post - really fascinated me as a storyteller. Tyler Coates of The Hollywood Reporter talks to Ryan White, director of the short-listed Coded: The Hidden Love of J.C. But we really just wanted to let the footage speak for itself." "We added a layer of analysis onto it and the point of the analysis was mainly to help guide people through the film and give them situational awareness and a sense of time passing. "I think there’s a very great value in simply showing what happened, just minute by minute, moment by moment," Botti tells Deadline. We hope you enjoy!Īs the implications of the January 6th insurrection continue to metastasize over a year later, Deadline’s Matthew Carey talks to filmmakers Malachy Browne, David Botti and Haley Willis about their Academy Award short-listed doc Days of Rage, a painstakingly executed reconstruction of the events of that catastrophic day. Essential Doc Reads is our curated selection of recent features and important news items about the documentary form and its processes, from around the internet, as well as from the Documentary magazine archive.
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